The rainstorm last night brought much needed moisture to our area.
But that’s just the weather report. So let me start again.
When the rain came, I was playing old-time music on the back porch of our Sunflower Community Room. We gather there once a month to share three hours of old-time groove with a revolving group of dedicated experienced and aspiring musicians. I’m not much good on the mando yet, but I know when a song really moves, when the music seems to find itself in the rounds of repetition, part A following part B, whirling us away in merry abandon until someone lifts their foot to signal the last go-round.
We were playing on the screened porch to try to catch any breeze a breathless evening offered when we glanced an unanticipated flash of lightning strike west of the farm toward Long’s Peak. I hadn’t checked the weather report lately, having conceded the inevitability of many hot July days to come. Our June temps were the hottest on record since 1977 and May and April were similarly record-shattering in terms of warmth. We’d been so many weeks without a real rain here, even the possibility of rain had grown dim. With only a few slight showers in the last two weeks bringing little rain but many lightning strikes to start some of Colorado’s worst fires, any sign of lightning was sobering. I’ve lived here long enough to know that lightning near Long’s means a storm is on its way. Still, a real storm didn’t seem particularly imminent.
I don’t know which song we were playing when the rain came. John says it’s all the same song anyway, and he’s got a point. Old-time music draws on endless variations of melodies within a given key but the fact that each is named and remembered proves their distinction. The names themselves are part of the music; names like Bear Went Over the Mountain; Sally’s Got Mud; Sweet Milk and Peaches, Run Down Boot, and Squirrel Hunter portray the down-home feel-bad feel-good sense that playing old-time brings.
Perhaps we were playing Garfield’s Blackberry Blossom, a traditional song that pre-dates that president (a relatively newer “old-time” song, Nixon’s Farewell, commemorates another). And then the wind picked up, blowing one strong gust through the porch that sent me flying into the community room to shut doors and windows before the tablecloths were thrown askew or worse. Still, I didn’t think the storm would amount to much and went back to the circle to join another round.
When we were knee-deep in the next song, the rain began, barely a few drops falling before the thick clouds opened over Stonebridge, pounding the tin roof over our heads. When lightning cracked above us, we raised our eyebrows, glancing outside at the dimming light, but kept our groove as the rain poured down.
Which would finish first, the song or the storm? Another flash of lightning decided the point. The rain had more staying power than we did. As we finished the song, we turned to each other, surprised at what we’d come through. We brought the rain, we laughed. A real rain. A cloudburst. A thunderstorm that promised more to the fields than anything we’d seen in months.
The rain lasted 10 minutes and left puddles in the ruts of the driveway outside. A few people left to get home before dark and a few more arrived with umbrellas. As we began another song, the wind blew cold air across the porch. After so many weeks of heat, it felt good to be chilled. Until it didn’t and we moved inside to finish the evening with a few last old-time songs.
As we left the Sunflower Room with our instruments, the nearly full moon filled the puddles in the road with light. The night breeze hummed the storm’s exuberant passing, a melody of moisture replenished, crops revived, and farmers and musicians refreshed anew.